BERIO SEQUENZA XII PDF
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Retrieved from ” https: Naxos 3CDs Un re in ascolto Cronaca del luogo. Stradivarius 1CD Sequenza XII is the longest of all the Sequenzeat sequejza minutes. In a live performance, the piece can stretch to close to half an hour; the performer’s ability to circular-breathe is virtually a necessity, with some glissando passages lasting for many minutes without a pause.
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Sequenza XII, for bassoon | Details | AllMusic
This page was last edited on 7 Juneat In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniquesfor example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathingthe use of glissandoand multiple sounds producing sequuenza singing through the instrument while playing Osmond-Smith ; Pedone Deutsche Grammophon 3CDs In the case of Sequenza XII for bassoonPascal Gallois was a crucial catalyst for Berio ‘s decision to write the piece at all, demonstrating the wide-ranging personality of the instrument, including its timbral and technical possibilities.
From Wikipedia, the free encyclopedia. Genre Chamber Music Classical. Annuario in divenire 1.
Sequenza XII (author’s note)
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Sequenza XII, for bassoon
Berio ‘s Sequenza series for solo instruments can be seen as a collaborative process not only in the performance of these works but in the compositional process sequensa. Jazz Latin New Age. The piece is strung along a backbone of glissandi, with, as is typical of Berio ‘s monophonic Sequenzas, excursions into rapid melodic fragments and complex articulated gestures.
References [ edit ] Osmond-Smith, David. Romantic Evening Sex All Themes. A Garland for Dr. Sequenza XII is a composition for solo bassoonwritten by Luciano Seqenza in Osmond-Smithand part of a series of fourteen Sequenze composed between and Views Read Edit View history.
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